By Paul Jarman
I’ve alluded to this project in earlier posts, but can now reveal this new project that we will be undertaking largely in our own workshops. In creating a brief for this proposal, a number of considerations have been included and I’ve taken the salient points from the proposal document that I compiled, to create this blog post and give some insight into the process behind a project such as this.
In 1827 the Duke of Wellington visited Seaham, as guest of Lord Londonderry on the 15th September of that year.
He was to be conveyed on the colliery railway network between Pittington and Penshaw (a distance of 8 miles) by means of a unique carriage, built at Chilton Moor Works for the occasion and described by author William Weaver Tomlinson as ‘the body of a landau on the underframe of a coal waggon, supported on four light wheels with springs’.
Tomlinson describes the livery as ‘olive green in the panels of the body surrounded with borders of dark green, umber in the sole-bars and buffers, madder in the wheels and axles, crimson in the springs, and dark blue in the coupling-chains’.
Evidently a painting of the carriage existed, and was the basis of Tomlinson’s description at his presentation to the Society of Antiquaries (the source of his quotes), but the origin of this, and present location are unknown.
George Hardy (author of ‘The Londonderry Railway) describes the carriage as being in use in 1861, when it was requested for an occasion by the Marchioness of Londonderry to see the works that were taking place in Sunderland in January of that year. Hardy’s original (and unedited) manuscript is held in the collection at Beamish.
The carriage had been rebuilt as a result of ‘taking fire’ and so its appearance at this date is unknown. In what appears to be reference to an occurrence at an earlier date, the carriage had been prepared for conveying the Marchioness, preparation that included cleaning and repainting the vehicle.
Unfortunately for Mr John Maddison, who had charge of the work (as Engineer of the docks at Seaham), the paint had not dried when the Marchioness came to use it – resulting in her shawl becoming stuck to the paint. Whilst amusing, it did result in the unfortunate Mr Maddison being instructed to ‘never show his face to her Ladyship’, something he adhered to for the rest of his life

The aim of this project is to create an additional passenger carrying vehicle for use on Beamish Museum’s Pockerley Waggonway. The basis of the coach to be created will be a reclaimed passenger coach chassis previously used on the Waggonway in the guise of an open, and then semi-open coach.
Due to the poor condition of the body of this coach, and the challenges keeping doors locked and ‘square’, it was withdrawn from service. One wheelset was subsequently removed to provide a replacement for the Waggonway chaldron/air receiver waggon.
The brief covers the design and construction of a new body to be fitted to the above chassis. The chassis will be overhauled and fitted with new wheelsets and improved brake system components, but the design will remain per original (as this aligns with the other rolling stock at the Waggonway).

The design makes use of the well-proven chassis, coupling and brake system but with a new body better suited to the arduous conditions found at the Waggonway. The body design is still strongly anchored within the historical narrative of the north east’s early-railways. As this narrative is ‘light’ on passenger carrying vehicles in the period depicted, the design employed at Seaham, for their ‘Wellington Car’ in 1827 has been settled on as the basis for this new replica passenger coach.

The design takes into consideration the following factors:


So, what next? With the basic design established, the project will be broken into three distinct phases:
There would then follow a period of testing and commissioning. With 2027 being the two-hundredth anniversary of the Duke of Wellington’s visit, the plan is to construct the coach during 2026 and place it into service the following year. Chris believes that he can manufacture the body in the fabrication shop, so it is pleasing that as much as possible of this project will be carried out on site.


The County Durham Environment Awards, organised by the Environment and Climate Change Partnership, recognise the great work and commitment towards caring for the natural and built environment through sustainable innovation, design and volunteering across the county’s communities and businesses.
I thought reporting of progress on the two Armstrong Whitworth projects deserved their own post – partly as it may make them easier to find for anyone searching online for relevant material as we understand that there are a couple of projects out there (globally) to restore an AW car and potentially an AW stationary engine.
Rhiannon Hiles, Chief Executive at Beamish Museum, has been named a North East Business Titan, in recognition of her outstanding leadership, significant impact, and contribution to the regional business community.