JR & D Edis Photographers
Be transformed into an Edwardian as you dress up in a stunning costume, along with props such as spectacles, cane and hat.
Call in at JR & D Edis Photographers to experience what a visit to a photographer’s studio in the 1900s was like, complete with side-lit studio window and props!
A memory to take home
Bookings are available on a first come, first served basis and can only be booked in the exhibit on the day of your visit, simply call into the studio to make an appointment.
A group of up to 5 people – £20 (includes one cabinet card, with a 6×4 photograph)
Additional extras:
- Cabinet cards (6×4 photograph) – £6.50 each or 2 for £10
- 6×8 photograph in a folder – £8.50 each or 2 for £15
- Framed photograph (6×4 size) – £15
- Framed photograph (6×8 size) – £20
- Digital copy – £6.50 each or 2 for £10
If you have had your photograph taken in the exhibit and would like to request additional copies, please email us at photography@beamish.org.uk.
About the Exhibit
J. R. Edis
Our photographer’s is named after John Reed Edis, whose photography business started in Durham at 27 Sherburn Road in 1895. It then moved to more permanent premises at 52 Saddler Street, Durham City in 1897, where they remained until the business was wound up in 1964.
His daughter Daisy joined the business in 1901, whilst still in her teens. The vast collection of photographs taken by John and Daisy Edis have been dispersed between several locations, the major part is held at Durham University. Beamish has between 500 and 600 of the images dating from around 1916 to 1950. We also have objects and signs acquired once the studio closed, some of which are in the exhibit.
Photographers’ Studio
By the Edwardian period, photography was becoming hugely popular. During the First World War men would get their photograph taken in uniform.
Most towns in the 1900s had a photographers studio and they often grew out of, or alongside, chemists that stocked the necessary chemicals.
Traditionally, photographers would have opened later than chemist shops with the advancement of technology. To reflect this, our photography studio has a much more updated feel to it than the business next door.
Wallpaper
The wallpaper used is a copy of a pattern that was available to buy from the Co-op in 1907 and was found in a catalogue that is in Beamish’s archives.
It was chosen, firstly because of its colour – “pea green” was, according to PC Duchochois’ 1891 book Lighting the Photographic Studio, a favourite with photographers due to its light reflecting qualities. It also has an art nouveau motif printed on it, which was one of the most popular and fashionable styles of the era.
Panelling
The mahogany panelling that forms the divide between the reception and the studio is in an art nouveau style, as is the studio fireplace. This style was considered to be extremely modern, which would have been important for a photographer, whose business relied upon fashion and up-to-date technology.
The wallpaper and fireplace, along with other details such as a beautiful restored gas chandelier and reclaimed early 20th century door furniture, help to make the space feel at the height of Edwardian fashion.
